By Leonard Unger, Jay Parini
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Extra resources for American Writers, Supplement XVI
Again his ideas about nature are couched in religious terms. What begins as a plea for the wolf’s survival becomes a character study of those involved in the reintroduction effort. ” (29) The characterization of the students and subsequently of the wolves does a wonderful job humanizing, not the wolves, but their plight. Bass says, “I cannot help but keep believing that—against whatever odds—wolves will make it back to this land because the land desires it. . ” (31) This mixture of science and romance that appears in The Ninemile Wovles and The Lost Grizzlies tags Bass’s style.
33) For Bly, as we have noted, the trivial detail becomes the revealing detail. Buchwald notes such details, for instance, as “Mary Graving’s woodworking tools in a basement once devoted to home canning and laundry tubs, the Showing Room in Jack Canon’s funeral parlor, the fair isle knitting and braided rugs in the craft room at the Jacob Lutheran Home—all a part of the rich weave of Bly’s stories” and contends that reading Backbone is we say. Bly focuses our attention on the gulf between what is thought and felt and what is actually said.
43) This might be advice given to Bass and Cousin Randy by their grandfather. The book is touching, and reminds us that not all nature writing is an act of anger and desperation; what motivates Bass and other writers like him is love, love for animals, for the wild. Bass returned to direct defense of the Yaak by editing a volume of essays, The Roadless Yaak: Reﬂections and Observations about One of Our Last Great Wild Places, published in the summer of 2002. He invited writers, naturalists, and scientists to the Yaak and asked them to share their thoughts on the valley and why it should be protected as a federal wilderness.
American Writers, Supplement XVI by Leonard Unger, Jay Parini