By Jay Parini
All of the 18 essays during this quantity makes a speciality of a unmarried paintings of yankee literature. Written in transparent, jargon-free sort through collage and collage professors, every one explores the nuances of the paintings -- topics, characterization, use of language -- permitting the coed to appreciate, interpret and write in regards to the classics. quantity 2 covers Theodore Dreiser's "An American Tragedy," Sarah Orne Jewett's "The nation of the Pointed Firs," Saul Bellow's "Herzog," F. Scott Fitzgerald's "Tender Is the Night," and "The nice Gatsby," Edith Warton's "Ethan Frome," Ralph Ellison's "Invisible Man," Sherwood Anderson's "Winesburg, Ohio" and others. Volumes additionally function timelines, writer chronologies, bibliographies with extra studying feedback and cumulative indexes.
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Extra info for American Writers Classics, Volume 2
To them it was much more plausible that Chester had At that point he and his longtime companion and future wife, Helen Richardson, took a trip from their home in California to upstate New 24 AN AMERICAN TRAGEDY Toward the end of the revision process, in the fall of 1925, Dreiser made a final research junket. Although he had already submitted the closing "death house" section of the novel (Book Three, chapters 29 to 34) for typesetting, Dreiser worried about questions of verisimilitude. Through his friend H.
Much like Dreiser, the book's protagonist, Eugene Witla, comes out of poverty, moves to Chicago and later New York, and rises from proletarian to renowned artist and publishing executive—until a scandalous extramarital affair causes him to lose his job. Intended as a meditation on the travails of the artist in American society, The "Genius" is also Dreiser's attempt to explain his social views and justify, or at least rationalize, his emotional volatility, his sexual excesses, and the tumultuous private life that frequently threatened to swamp his literary career.
As was usual with Dreiser, critics found fault with his unwieldy style, but few could deny that the book was a major achievement. Inevitably, there were a few negative reviews but none were as hurtful to Dreiser as the one penned by his close friend H. L. Mencken for American Mercury. Stung by Mencken's review, which he considered a personal betrayal, Dreiser complained bitterly in a letter to Mencken and thereafter broke off contact. Lasky sat on the movie rights for four years before arranging to have the great Soviet director Sergei Eisenstein come to Hollywood to make a film version.
American Writers Classics, Volume 2 by Jay Parini