By Jeff Foster
In case you are within the company of movement snap shots or computing device electronic video creation, you recognize that Adobe's After results and Photoshop are of the main imperative content material construction instruments. extra built-in than ever ahead of, the world's number-one compositing and image-editing courses can be utilized in tandem to create caliber paintings at a comparatively inexpensive. however it takes years of expertise to determine tips to get the main out of this impressive duo. With After results and Photoshop: Animation and construction results for DV and picture, pix guru Jeff Foster has created the 1st booklet dedicated to displaying how one can use those courses jointly to provide animations and results at the computer. This sensible consultant focuses completely on thoughts popular within the box in addition to state of the art creation methods. those hands-on tasks will demystify cool Hollywood results and assist you resolve your day-by-day demanding situations. and they will encourage you to imagine extra artistically whilst coming near near your creations.Inside, you will find seasoned concepts for movement photographs and video construction, together with how to:Add intensity and realism in your animations by means of mimicking actual movement; Use exaggerated routine to reinforce characterization; follow 3-D animation to 2-D pictures; eliminate heritage fodder with blue-screen rubbish mattes; hire rotoscoping concepts for frame-by-frame retouching; build reasonable composites and scene destinations utilizing matte portray thoughts; Make videos from stills by way of simulating three-D digicam movement; make the most of viewpoint, pace, and scale to create plausible relocating gadgets; Produce lifelike lighting tricks corresponding to noise, clouds, and smoke; perform resourceful movement titling results that seize people's recognition; strengthen specialist scene transitions utilizing 3-D layer animations; and lots more and plenty more!"
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Extra info for After Effects and Photoshop: Animation and Production Effects for DV and Film
Move the Indicator to the 5-second mark and open the Light 1 layer Options settings in the Timeline. 0 pixels After applying the settings, scrub the Indicator to see how the shadows increase as the leaves near the ground. 4. You'll most likely notice that the scene has a lot of contrast between the shadows and the lit areas, which has actually made the animation look a bit muddy. 27). Adding a warm ambient light to the scene will soften the shadows and brighten the colors of the leaves—especially in the foreground at the beginning of the animation.
7. Rotate and drag the layer off-center and to the lower left so there will be room for the other leaves to fall into the frame. 0. 21: Position the leaf just above the grass layer in its resting position as the first leaf to hit the ground in the animation. The Rotation Tool: the "Axis of Evil"? 22). Open the Material Options settings on the Timeline and turn on the Casts Shadows option. 1 for the position and rotation settings of these layers, or use the Move tool to position them manually to your liking.
Preparing the Layers We have a lot of work to do, scaling and positioning layers. The branches will be placed in 3-D space in our scene, and the leaves need to be animated to "fall" to the ground as the camera moves in. 1. Drag the branch composition file to the Comp 1 window and convert it to a 3-D layer, as we did to the grass layer. 16). Check the Left side view to see the placement in reference to the camera— which should be so close that it shows only the edges of a few leaves. 16: Place the static branch layer close to the camera so it will brush by in the animation.
After Effects and Photoshop: Animation and Production Effects for DV and Film by Jeff Foster