Read e-book online Adobe Photoshop Lightroom and Photoshop Workflow Bible PDF

By Mark Fitzgerald

ISBN-10: 0470303093

ISBN-13: 9780470303092

The electronic photographer's workflow is split into exact components - the creation Workflow and the artistic Workflow. The construction workflow is used to import and set up huge numbers of pictures, and get ready them for presentation through facts printing, internet, or slideshow. more and more, photographers are turning to Adobe's acclaimed new Lightroom software program to regulate this a part of the workflow. After the easiest pictures are pointed out, photographers circulate to the second one a part of the workflow, the inventive Workflow, to fine-tune exact photographs utilizing numerous complicated electronic instruments in order that the inventive imaginative and prescient is discovered. an overpowering majority of electronic photographers use Photoshop for this complex modifying.

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When it comes to working with photography it can’t be beat. The powerful tools in Photoshop allow photographers to do things that weren’t possible with film photography. 3 shows an original image and the new image that I created in Photoshop using advanced techniques, such as combining multiple images and layers, using special filters, and using custom layer blending styles. None of these techniques is available in Lightroom. When you’re ready to set your creativity free, nothing compares to Photoshop.

Another option with TIFF files in Photoshop is the ability to save layers. This seems pretty cool, except that few image-editing applications can open all of the layers of a layered TIFF file. If I’m saving a layered file and planning to use Photoshop to edit it, then I save it as a PSD file, Photoshop’s native file format. If you’re worried about hard drive space, go ahead and save your layered files in the compressed TIFF format. Just be aware that they will take longer to save and to open. Because I don’t use layered TIFF files I have Photoshop warn me when I forget to flatten a TIFF file before saving it.

Even if the JPEG is of the highest quality (least compression), it represents a fraction of what the camera actually saw. The JPEG process seems easy because it allows the camera to make lots of decisions very quickly. If I’m working in a very controlled environment, or under extreme deadlines, this can be a fast way to work. The problem is that I don’t get to look at all the information before it gets thrown away. When you shoot JPEG, you have to live with the data the camera selects to create the JPEG files.

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Adobe Photoshop Lightroom and Photoshop Workflow Bible by Mark Fitzgerald


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